Raven_s Gate pof-1 Page 7

  “You shouldn’t be here,” the man said.

  “I told you. I got lost. I was looking for…”

  “What were you looking for?”

  “I saw lights in the forest. Last night. I wondered what they were.”

  “Lights?”

  “And I heard something. Strange noises – a sort of humming. Why don’t you tell me what’s going on around here? You warned me to go away.”

  “Why didn’t you?”

  “I tried.” Matt left it at that. He was in no mood to explain what had happened to him on the moonlit roads. “What were you warning me about?” he demanded. “Why is everyone in Lesser Malling so weird? Who are you?”

  The man seemed to relax a little – but his eyes remained watchful. He rested a hand on the barrel of his gun. “My name is Burgess,” he said. “Tom Burgess. I’m a farmer. I own Glendale Farm, down the Greater Malling road.”

  “And what are you doing here? Are you guarding this place?”

  “No. I’m hunting. These woods are full of foxes. They come for my chickens in the night. I’m out to get a few of them.” He patted the gun.

  “I didn’t hear any shots.”

  “I didn’t see any foxes.”

  Matt looked back at the building. “You said this place was a power station,” he began. Suddenly the shape seemed more familiar. He had seen pictures at school. “Is it a nuclear power station?”

  Burgess nodded.

  “What the hell is it doing here?”

  “It’s nothing.” The farmer shrugged. “It was experimental. The government put it here a long time ago. It was before they started building the real things. They were looking into alternative sources of energy so they built Omega One, and when they’d finished all their experiments they shut it down again. It’s empty now. There’s nothing there. Nobody’s been anywhere near it for years.”

  “They were here last night,” Matt said. “I heard them. And I saw lights.”

  “Maybe you were imagining things.”

  “I don’t have that much imagination.” Matt was angry. “Why won’t you tell me the truth?” he went on. “You warned me I was in some sort of danger. You told me to run away. But I can’t run away unless I know what it is I’m running from. Why don’t you tell me what you know? We’re safe here. Nobody can overhear us.”

  The farmer was clearly struggling with himself. On the one hand, Matt could see that he wanted to talk. But strong though he was, and armed as well, he was still afraid. “How could you begin to understand?” he said at last. “How old are you?”

  “Fourteen.”

  “You shouldn’t be here. Listen to me. I only came to this place a year ago. I was left money. I always wanted to have my own place. If I’d known… If I’d even had the faintest idea…”

  “If you’d only known what?”

  “Mrs Deverill and the rest of them…”

  “What about them? What are they doing?”

  There was a rustle in the undergrowth, followed by an angry snarl. Matt turned and saw an animal appear, stepping out of a patch of fern a couple of metres away. It was a cat, its eyes ablaze, its mouth wide open to reveal its fangs. But it wasn’t just any cat. He recognized the yellow eyes, the mangy fur…

  He relaxed. “It’s all right,” he said. “It’s only the cat. It must have followed me here.”

  But the farmer’s face had turned white. All at once he had snapped the barrel of his gun shut and raised the whole thing to his shoulder. Before Matt could stop him, he pulled the trigger. There was an explosion. The cat had no chance. Tom Burgess had emptied both barrels, and lead pellets tore into its fur, spinning it in a horrible somersault over the grass, a ball of black that spat red.

  “What did you do that for?” Matt exclaimed. “It wasn’t a fox. It was just a farm cat.”

  “Just a cat?” The farmer shook his head. “It was Asmodeus, Mrs Deverill’s cat.”

  “But-”

  “We can’t talk. Not here. Not now.”

  “Why not?”

  “There are things happening… things you wouldn’t believe.” The colour hadn’t returned to the farmer’s face. His hands were trembling. “Listen!” he whispered. “Come to my farm. Tomorrow morning – at ten o’clock. Glendale Farm. It’s on the Greater Malling road. Turn left when you come out of Hive Hall. Will you be able to find it?”

  “Yes.” Then Matt remembered. “No. I’ve tried finding my way round these lanes but they don’t seem to lead anywhere. I just end up where I began.”

  “That’s right. You can only go where they want you to go.”

  “What do you mean?”

  “It’s too difficult to explain.” Burgess thought for a moment. Then he grabbed hold of a leather cord around his neck. Matt watched as he drew it over his head and held it out. He saw there was a small, round stone – a talisman – dangling from it, and on the stone was a symbol engraved in gold. The outline of a key.

  “Wear this,” Burgess said. “Don’t ask me to explain it, but you won’t get lost if you’re wearing it. Come to my house tomorrow. I’ll tell you everything you want to know.”

  “Why not now?” Matt demanded.

  “Because it’s not safe – not for either of us. I have a car. You come to my house and we’ll leave together.”

  Tom Burgess strode away, heading for the line of trees.

  “Wait a minute!” Matt called after him. “I don’t know how to get out of the wood!”

  Burgess stopped, turned round and pointed. “Look under your feet,” he shouted. “You’re standing on the road.” Then he was gone.

  Matt examined the ground around him. There was a line of black tarmac, barely visible beneath the weeds and the pine needles. He would have to follow it carefully, but at least it would lead him out. The stone talisman was still in his hand. He ran a finger along the key, wondering if it was real gold. Then he slipped it around his neck, making sure it was hidden under his shirt.

  A few minutes later, Matt found himself back on the main road. He examined the entrance to Omega One carefully. It was nothing more than a gap between two trees in a line of several hundred. He had pedalled past without even knowing it was there and it would be almost impossible to find again. He took off his jacket, tore a strip of material from his T-shirt, and tied it in a knot around a branch. Then he stepped back and examined his handiwork. The tiny, pale blue flag he had created would show him the way back if he ever needed it. Satisfied, he put his jacket back on and set off to retrieve his bike.

  About forty minutes later Matt arrived back at Hive Hall. It was almost midday. Noah was working on the side of the barn, painting it with creosote. Matt could smell the chemical in the air. Mrs Deverill would be in the farmhouse, making lunch.

  Brushing a few needles off his jacket, Matt walked up to the front door. He was just reaching for the handle when he stopped and stepped back with a shiver of disbelief.

  Asmodeus was there, sitting on the windowsill, licking one of its paws. The cat wasn’t dead. It wasn’t even hurt. Seeing Matt, it purred menacingly then suddenly leapt away, disappearing into the house.

  WET PAINT

  Matt didn’t sleep well that night. He had too many unanswered questions in his head, and the fact that Tom Burgess had promised to answer them made him tense and restless. He couldn’t wait to find out the truth. But that was exactly what he had to do, tossing around in his narrow bed as the sky became grey, then silver, then finally blue. Mornings on the farm normally began with breakfast at seven o’clock. Mrs Deverill was already in the kitchen when he came down.

  “So what happened to you yesterday morning?” she demanded. She was wearing a dull yellow cardigan, a shapeless grey dress and wellington boots. All the clothes she wore at Hive Hall looked as if they had come out of a charity shop.

  “I went for a walk.”

  “A walk? Where?”

  “Just around.”

  Mrs Deverill took a pan off the Aga and spooned thick porr
idge into two bowls. “I don’t remember you asking permission,” she said.

  “I don’t remember you telling me I had to,” Matt replied.

  Mrs Deverill’s eyes narrowed. “I can’t say I’m used to being spoken to in that way,” she muttered. Then she shrugged as if it didn’t matter anyway. “I was only thinking of you, Matthew,” she went on. “If you look at the booklets provided by the LEAF Project, you’ll see quite clearly that I’m supposed to know where you are at all times. I’d hate to have to report that you’ve broken the rules.”

  “You can report what you like.”

  She placed the two bowls on the table and sat down opposite him. “There’s a lot of work to be done today. The tractor needs hosing down. And we could do with some firewood being chopped.”

  “Whatever you say, Mrs Deverill.”

  “Exactly.” The pale lips pressed together in something like a smile. “Whatever I say.”

  It was nine o’clock, one hour before Matt had arranged to meet Tom Burgess. Matt was working on the tractor, washing it down. For the fiftieth time he looked around him, and realized he was finally alone. Noah was on the other side of the barn, mending some pipes. Mrs Deverill was feeding the pigs. Neither of them was watching him, nor was there any sign of Asmodeus. Matt dropped the hose, then turned off the tap and waited until the last jet of water had splashed on to the ground. Still nobody came. He had left the old bicycle in the yard, close at hand. He stole over to it and pushed it out of the farm. Pedalling would have made too much noise.

  A minute later he was through the gate and on the lane. He looked back with a sense of relief. It had all been much easier than he had thought.

  Too easy? Matt remembered the way Mrs Deverill had smiled at him in the kitchen. He had wondered then if she knew more than she was letting on. All the time he had the feeling she was playing with him, and the photograph and police report hidden in her bedroom cupboard had only confirmed it. She knew who he was. He was more sure of it than ever. He had been chosen on purpose.

  Matt got on the bike and began to pedal, turning left as Tom Burgess had told him. The last time he had attempted this journey, the lane had simply looped him back to where he had started. But this time was different. He was wearing the talisman that the farmer had given him. He reached up and felt it against his chest. Why a stone with a picture of a key should make any difference was beyond him. It was just one of the many questions he intended to ask.

  The lane led uphill but there was no crossroads at the top. Instead the road continued past a series of fields. A low, stone wall rose and dipped ahead. He came to a signpost and this one wasn’t broken. It read: GREATER MALLING 4 MILES. Matt stared at it. It was the first reminder he’d had that there was an actual world outside Hive Hall and he had no idea how he’d managed to miss it when he made the journey two nights before.

  He found Glendale Farm easily enough. There was a turning about a quarter of a mile further along, with the name printed in bright blue letters on a white gate. Even as Matt cycled down the flower-bordered drive that led from the main road, he thought how much more welcoming it was than Hive Hall. The barn and stables were clean and ordered, standing next to a pretty pond. A swan glided on the water, its reflection shimmering in the morning sunlight, while a family of ducks waddled across the lawn. In a nearby paddock a cow chewed grass, mooing contentedly.

  The farmhouse itself was red brick, with neat white shutters and a grey slate roof. Part of the roof was covered in plastic sheeting, where the farmer had been working on repairs. An old weathervane stood at one corner, a wrought-iron cock looking out over the four points of the compass. Today it was facing south.

  Matt got off the bike, crossed the farmyard to the front door and pulled a metal chain to ring a bell in the porch. He was early – it was only half past nine. He waited, then rang again. No answer. Perhaps Tom Burgess was working in the barn. Matt walked over and looked inside. There was a tractor and an assortment of tools, a pile of sacks and a few bales of hay… yet no sign of the farmer.

  “Mr Burgess?” he called.

  Silence. Nothing moved.

  But the farmer had to be there. His car, a Peugeot, was parked in the drive. Matt went back to the house and tried the front door. It opened.

  “Mr Burgess?” he called again.

  There was no answer. Matt went inside.

  The front door led straight into the main room, which had a large fireplace with a gleaming pair of bronze tongs and a small shovel leaning against the grate. The fire had evidently burned during the night, as the ashes were still strewn over the hearth. The place was a mess. Tables had been overturned and books and papers scattered on the floor. All the inside shutters were hanging off, some of them broken in half. Matt’s foot caught a stray pot of paint. He picked it up and put it to one side.

  The kitchen was in a worse state. The drawers were open and their contents had been thrown everywhere. There were broken plates and glasses and, in the middle of the kitchen table, a half-empty bottle of whisky lying on its side. Matt glanced up. A huge carving knife had been thrust into a kitchen cupboard, its blade penetrating the wood. The handle slanted towards him. It looked odd and menacing.

  Every fibre of his being was telling him to get out of here, but Matt couldn’t leave now. He found himself drawn to the stairs. Narrow and twisting, they led up from the kitchen and before he knew what he was doing, Matt was on his way up, dreading what he would find at the top but still unable to stop himself. He wasn’t expected for another half an hour. Maybe Tom Burgess was still asleep. That was what he told himself. But somehow he didn’t believe it.

  The stairs led to a landing with three doors. Gently, he opened the one nearest to him.

  It led into a bedroom, and this was worse than anything Matt had seen downstairs. The room looked as though a whirlwind had hit it. The bedclothes were crumpled and torn, spread out over the carpet. The curtains had been ripped down and one of the window panes was smashed. A bedside table lay on its side, with a lamp, an alarm clock and a pile of paperbacks thrown on to the floor. The wardrobe doors were open and all the clothes were in a heap in one corner. A tin of green paint had toppled over, spilling its contents into the middle of the mess.

  Then Matt saw Tom Burgess.

  The farmer was lying on the floor on the other side of the bed, partly covered by a sheet. He was obviously dead. Something – some sort of animal – had torn into his face and neck. There were hideous red gashes in his skin and his fair hair was matted with blood. His eyes were bulging, staring vacantly, and his mouth was forced open in a last attempt at a scream. His hands were stiff and twisted in a frantic effort to ward something off. One of them was smeared with green paint, which had glued his fingers together. His legs were bent underneath him in such a way that Matt knew the bones must be broken.

  Matt backed away, gasping. He thought he was going to be sick. Somehow he forced his eyes away and then he saw it, painted on the wall behind the door. In the last moments of his life, the farmer had managed to scrawl two words, using his own hand smeared with paint:

  RAVEN'S GATE

  Matt read it as he backed out of the room. He shut the door behind him and reeled down the stairs. He remembered seeing a phone in the kitchen. He snatched up the receiver and dialled 999 with a finger that wouldn’t stop shaking. But there was no dialling tone. The phone had been disconnected.

  He threw down the receiver and staggered out of the house. The moment he reached the yard, he threw up. He had never seen a dead body before, let alone one as twisted and tortured as that of Tom Burgess… He hoped he would never see one again. He found that he was shivering. As soon as he felt strong enough, he began to run. He had forgotten the bicycle. He just wanted to get out of there.

  Matt ran back up the drive and on to the main road, heading in the direction of Greater Malling. He must have run for at least half a mile before he collapsed on to a bed of grass and lay there, the breath rasping in his throat. He di
dn’t have the strength to go on. And what was the point? He had no parents and no friends. He was going to die in Lesser Malling and nobody would care.

  He didn’t know how long he’d been lying there, but at last the sound of an approaching car reached his ears and he sat up and looked down the road. The car was white, a four-wheel drive with a sign attached to the roof. Matt breathed a sigh of relief. It was a police car. For the first time in his life, it was something he actually wanted to see.

  He pulled himself to his feet and walked into the centre of the road with his arms raised. The police car slowed down and stopped. Two officers got out and walked over to him.

  “You all right?” the first one asked. He was middle-aged and plump, with a high forehead and thinning black hair.

  “Shouldn’t you be at school?” the other asked. He was the younger of the two, thin and boyish with cropped brown hair.

  “There’s been a murder,” Matt said.

  “What? What are you talking about?”

  “A man called Tom Burgess. He’s a farmer. He lives at Glendale Farm. I’ve just come from there.” The sentences came out short and staccato. Matt was finding it hard to stitch the words together.

  The two policemen looked doubtful.

  “You saw him?” the senior man asked.

  Matt nodded. “He was in the bedroom.”

  “What were you doing there?”

  “I was meant to meet him.”

  “What’s your name?”

  Matt felt the impatience rising inside him. What was wrong with these men? He had just found a dead body. What did it matter what his name was? He forced himself to calm down. “I’m Matt,” he said. “I’m staying with Jayne Deverill at Hive Hall. I met Tom Burgess. He asked me to visit him. I was there just now. And he’s dead.”

  The older policeman looked more suspicious than ever, but his partner shrugged. “We just passed Glendale Farm,” he said. “Maybe we should take a look.”

  The other man thought for a moment, then nodded. “All right.” He turned to Matt. “You’d better come with us.”